Musicophilia: Tales of Music and the Brain, Revised and Expanded Edition
Revised and ExpandedWith the same trademark compassion and erudition he brought to The Man Who Mistook His Wife for a Hat, Oliver Sacks explores the place music occupies in the brain and how it affects the human condition. In Musicophilia, he shows us a variety of what he calls “musical misalignments.” Among them: a man struck by lightning who suddenly desires to become a pianist at the age of forty-two; an entire group of children with Williams syndrome, who are hypermusical from birth; people with “amusia,” to whom a symphony sounds like the clattering of pots and pans; and a man whose memory spans only seven seconds-for everything but music.
Illuminating, inspiring, and utterly unforgettable, Musicophilia is Oliver Sacks' latest masterpiece.
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Editorial Reviews
Amazon.com Review
Amazon Best of the Month, December 2007: Legendary R&B icon Ray Charles claimed that he was "born with music inside me," and neurologist Oliver Sacks believes Ray may have been right. Musicophilia: Tales of Music and the Brain examines the extreme effects of music on the human brain and how lives can be utterly transformed by the simplest of harmonies. With clinical studies covering the tragic (individuals afflicted by an inability to connect with any melody) and triumphant (Alzheimer's patients who find order and comfort through music), Sacks provides an erudite look at the notion that humans are truly a "musical species." --Dave Callanan
From Publishers Weekly
Neurologist and professor Sacks, best known for his books Awakenings and The Man Who Mistook His Wife for a Hat, dedicates his latest effort to the relationship between music and unusual brain disorders. Embracing the notion that neurology is an inherently British phenomenon, foreign to the New World, Sacks's book is read by impeccably polished actor Prebble (PW's 2006 Narrator of the Year). As befitting so urbane and smooth a reader, Prebble sounds as if his shirt had just been starched and his lab coat carefully pressed before beginning. With nary a word out of place, Prebble steps onto the stage, playing the good Dr. Sacks for this one-time-only performance. Simultaneous release with the Knopf hardcover (Reviews, Aug. 27).
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
Perhaps, renowned author Oliver Sacks’s insight into neurological curiosities gives him a key to reviewers’ criteria. His nine previous books, including Awakenings (1973) and The Man Who Mistook His Wife for a Hat (1985), have all seen widespread critical and commercial success. And critics agree that Musicophilia is a fine addition to Sacks’s oeuvre, even though it differs somewhat from his previous works: instead of focusing exclusively on other people’s disorders, Sacks, an amateur pianist, indulges in some self-examination (one reviewer sees a link with his autobiographical Uncle Tungsten), including his own fleeting experience with amusia, a disorder that causes music to sound like sheer clatter. Luckily, it didn’t affect his ear for fine prose and provocative storytelling.
Copyright © 2004 Phillips & Nelson Media, Inc.
Customer Reviews
Truly Fascinating
Musicophilia by Oliver Sacks is one of the most interesting and engaging books I've read in a long time. As a musician, I am fascinated at the interaction of neurology and music. Be prepared for thinking about music in new ways, and for learning about the intricate and delicate aspects of our brains that make it possible for us to even hear music as music (rather than noise), let alone enjoy it.
Musicophagia
I've been a huge fan of Oliver's ever since TMWMHWFAH, I even went back and read all his previous books and I've loved (almost) everything since then. Not only do I enjoy the weird little neurological symptoms he describes but I love his folksy, self-deprecating voice.
"Musicophilia" however I found to be tough sledding -- I read at least 3 other books while trying to finish this one. The reason is not the material -- the relationship of musicality to mentation is fascinating, and he does an admirable job of covering the subject here. The problem lies in his voice -- this book is written from a somewhat scholarly third-person perspective (most of it) and it's made worse by this paperback "revised and expanded edition" which adds about 30% more to it in the form of endless repetition, tedious footnotes, and totally extraneous postscripts. Rather than using a few entertaining case histories to illustrate the subjects under discussion, Sacks lists dozens and dozens of nearly identical case histories with way too much detail and way not enough commentary.
The 425 page book could have made an entertaining 180 page book without losing any of the essential narrative. You really learn the value of a good editor when you don't have one.
A deeply intelligent, loving book.
Dr. Sacks has written a book that is astounding in its depth and love for humanity, his patients, the mysteries of life and music the great connector of us all. Music, how we each perceive it and it effects us. The stories in this book amaze and awaken us to the marvels of the brain, our wiring, science and possibility.
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